Stream These 10 Titles Before They Leave Netflix This Month

“The Artist” (April 25) Oscar loves films about cinema, and this 2011 comedy from writer and director Michel Hazanavicius (which won fiv...


Oscar loves films about cinema, and this 2011 comedy from writer and director Michel Hazanavicius (which won five awards, including Best Picture) isn’t just about the industry: it’s steeped in stylistic and narrative influences throughout the history of cinema. . Hazanavicius tells his story of the bumpy transition from silent to sound cinema by dramatizing this transition, reminiscent of the Hollywood angle of “Singin’ in the Rain”; the side story, about the romance of a fading star with rising talent, evokes the many remakes of “A Star is Born”. Yet “The Artist” isn’t just a game of “spotting the tribute.” The productions are shrewd and the performances inspired, including those of Best Actor winner Jean Dujardin, Best Supporting Actress nominee Bérénice Bejo and John Goodman, perfectly cast as cigar-biting studio head.

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Fresh off the success of his screenplay for the original “Scream,” screenwriter Kevin Williamson got the go-ahead from fledgling WB network to create this long-running drama, chronicling the life of a group of teenage loves in the fictional hamlet of Capeside. , Mass. Williamson’s self-conscious winking style doesn’t pan out quite as well here as it did in the “Scream” movies, but it does offer its own trashy pleasures, its scripts teeming with romances, dating, and unrequited crushes. And the show is now notable for its sharp eye: Katie Holmes, Joshua Jackson, James Van Der Beek and Michelle Williams make up the core ensemble, with Scott Foley, Jane Lynch, Busy Philipps and Seth Rogen among recurring cast members.

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Natalie Portman made her film debut in this 1994 action flick from French writer and director Luc Besson (“La Femme Nikita”), playing a young woman whose family is executed by corrupt DEA agents. She talks to her enigmatic neighbor (Jean Reno) about providing not only refuge but also training; he is a hitman and she wants revenge. Besson stages a series of spectacular sets, each more ingenious than the next, culminating in a barn burner in which Leon appears to tackle the entire NYPD. Portman is already a movie star, and Reno is quietly effective – a great counterpoint to Gary Oldman, who chews up the scenery to the hilt as the most unhinged of villains.

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This 2006 action film by David R. Ellis was one of the first movies that was, in effect, rewritten by the internet. Based solely on its title and the presence of Samuel L. Jackson, the film became something of a viral sensation ahead of its release, prompting its filmmakers to reshoot scenes and rework the tone to more accurately reflect the goofy B-movie than its ” fans” had. come expect. The result is a bit messy, especially in its laborious first act. But once the snakes start attacking after 30 minutes, it’s goofy and bloody, a fiery riff on 70s disaster movies, with an abundance of gruesome but funny shock effects and admirable acting performance. of the imperturbable Jackson.

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Director Guy Ritchie caused a stir on the independent circuit with his low-budget, high-energy crime comedy “Lock, Stock and Two Smoking Barrels” in 1999; this successor was also something of a bigger-budget remake, continuing similar situations and aesthetics but with more resources and bigger names. Chief among the great actors is Brad Pitt, who appears under a messy mop of hair and barks out most of his dialogue in indecipherable dialect – alluding to the character acting work he pursued, on the fringes, while that he was approaching middle age. “Snatch” is fast, funny and flashy; it’s the style rather than the substance, certainly, but what a style.

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Newsrust - US Top News: Stream These 10 Titles Before They Leave Netflix This Month
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