5 things to do this weekend

The pandemic has given composer Andy Akiho a bit more time to complete “Seven Pillars,” an evening-long work for Sandbox Percussion virt...


The pandemic has given composer Andy Akiho a bit more time to complete “Seven Pillars,” an evening-long work for Sandbox Percussion virtuosos. He worked closely with the quartet during this extended period, before releasing a recording of the opus Last year. The result of all these efforts was a percussive essay rich in melody and dynamism. ‘Seven Pillars’ finally gets its New York premiere at the Baryshnikov Art Center at 8 p.m. on Thursday and Friday. Tickets are $25.

While the recording is commendable on its own, Akiho’s attention to a variety of resonant and chiming percussive approaches makes for a promising immersive live experience. The same goes for Michael Joseph McQuilken’s lighting design for the concert, which is in keeping with the palindromic structure of the 80-minute work: its 11 movements are balanced between four contemplative solo sections – one for each Sandbox player – as well as seven rhythm sections for the entire band.
SETH COLTER WALLS

CHILDREN

Among younger siblings, the smallest often becomes either a feared pest or an adored darling.

Watching Hannah Mount portray a creative 6-year-old who at first falls firmly into the despised category is one of the many pleasures of “Dory Phantasmagoria” from New York Children’s Theater.

In this musical adaptation of Abby Hanlon’s book, Dory’s brother and sister make up child-stealing Mrs. Gobble Gracker to scare their little nemesis. But Dory, whose imaginary friends include a talking dust bunny and an affectionate monster, proves more than unfazed.

This fiery spectacle of Russ Kaplan and Sara Wordsworth plays its final performances Saturday and Sunday at 11 a.m. and 2 p.m. at Theater Row. Tickets, which start at $40, are nearly sold out online, but some are subject to release, and families can join a waitlist for their favorite performance by emailing. housemanager@nycchildrenstheater.org.

The weekend also offers another option: PinProductions‘ “The Selfish Giant”/“El Gigante Egoísta,” presented Saturdays in English at 1 p.m. and Spanish at 3:30 p.m. at the Queens Theatre. (Tickets are $15.) Adapted from Oscar Wilde’s haunting fairy talethe show will resonate for sure: its storytelling actors stage vagabonds confronted with a border wall.
LAUREL GRAEBER

Pop rock

Long before Kacey Musgraves started encouraging LGBTQ listeners to follow their arrow, Patrick Haggerty made country music that celebrated the queer experience. In 1973 he and his band Lavender Country released a self-titled debut album, a charmingly handcrafted collection now recognized as the first country record by an openly gay person. With his poignant portrayal of alienation and sharp sociopolitical commentary – Haggerty sings about the cruelty of conversion therapysodomy laws and white hegemony — “Lavender Country” struggled to find a receptive audience when it was released.

A 2014 reissue put the now 78-year-old Haggerty and his pioneering work in the spotlight, and Lavender Country has since released a second album, “Blackberry Rose,” which continues a legacy of living storytelling with an activist bent. The group is touring with an intergenerational cohort of queer country artists, including Austin Lucas and Paisley Fields. On Saturday they will go to Brooklyn to play Knitting Factory. Tickets for the show, which begins at 7:30 p.m., are $15 in advance and are available at bk.knittingfactory.com.
OLIVIA HORN

Theater

The ridiculous and the sublime coexist in perfect harmony in “The Drag Seed,” David Cerda’s homage to the seminal 1956 film “The Bad Seed,” which turned a lovable Patty McCormack into a horror icon.

In Cerda’s send-off, young Carson (Patrick O’Keefe), who loves nothing more than dresses, makeup, and crowns (they’re also obsessed with pronouns), will do anything to make sure that they win their local drag racing contest. That could include murder, much to the dismay of Carson’s mother, Connie (Ed Jones), who suffers gracefully on the fringes.

Bursting with unforgettable one-liners and references to Hollywood melodramas and horror stories, “The Drag Seed” presents the high camp that Cerda and company have unquestionably mastered.

The show, which marks the 20th anniversary of Hell in a Handbag Productions, runs at La MaMa until April 10. Tickets are $25 in advance and available at lamama.org.
JOSE SOLIS

After the Russian invasion of Ukraine, European cities welcomed refugee dancers. Bolshoi prima ballerina Olga Smirnova publicly defected at the National Ballet of the Netherlands. And the famous choreographer Alexei Ratmansky, who grew up in kyiv, fled Russia and abandoned an unfinished work at the Bolshoi, saying he would stay away as long as Vladimir Putin was in power.

New York dancers are also reacting. On Saturday, two separate concerts will raise funds to support Ukraine. The larger of the two, produced by iHeartDance NYC, features stars from New York City Ballet and American Ballet Theatre, including Ukrainian principal dancer Christine Shevchenko. They will perform works by Jerome Robbins, Justin Peck and Ratmansky, among others, at Florence Gould Hall in Midtown starting at 7 p.m. Tickets start at $150 and are available at iheartdancenyc.com.

Downtown at the Agnes Varis Performing Arts Center at 8 p.m., Gibney hosts a lineup of contemporary companies, including Battery Dance and Nai-Ni Chen Dance Company, to benefit New Ukraine. Donations of $10 or more are requested for admission and can be given to linktr.ee/dancersforukraine.com. Those who register on this site will receive a link to the YouTube live stream of the event one hour in advance, if they prefer to attend virtually.
BRIAN SCHAEFER

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