Famous hairstylist Adir Abergel shares his beauty routine

Welcome to the T List, a newsletter from the editors of T Magazine. Each week, we share things we eat, wear, listen to, or covet now. r...


Welcome to the T List, a newsletter from the editors of T Magazine. Each week, we share things we eat, wear, listen to, or covet now. register here to find us in your mailbox every Wednesday. And you can always reach us at tlist@nytimes.com.


Step by step

I’m using an FPS that Rooney Mara told me about years ago called Eryfotona Actinica. I traveled to Brazil in the summer and used it all the time so I know it works. In the morning I wash my face either with Dr. Barbara Sturm’s Enzymatic cleaner or MBR Enzymatic Cleansing Boosterthat I continue with that of Chantecaille May Rose Face Oil and Augustinus Bader Rich Cream. When I travel or need something heavier, I use Chanel Sublimage The Cream and Lucas Papaya Ointment a ton: on my lips, even sometimes on my dog! It’s my favorite balm. I’m going to use a tiny bit of Skin Key Concealer almond on my eyes with a beauty blender, with Westman Atelier Baby Cheeks Blush Stick in Petal. It’s so light. At the end of the day, I love to take a bath. It’s my favorite ritual. I fill the first third of the tub with boiling water, add ancient minerals to it Magnesium bath flakes, then heat the water until the bath is full. A friend of mine started this Natureofthings business; i use his Strengthening Magnesium Dip and his Repairing Floral Bath. Finally, I put three drops of female balance aromatherapy oil from Neal’s Yard Remedies. It’s a blend of geranium, rose and frankincense that I also use on clients before events. My body products are from Necessary; I love their sandalwood scent. I helped create so much of what I use on my hair with Virtue – products I wanted after trying a million different things in my job. I use Virtue Purifying Shampoo because I have very fine hair, and the Restorative treatment mask. I’ll let it sit while I’m in the bath. Finally, I always use a combination of Virtue Anti-frizz cream and healing oil. Ninety-nine percent of the time, though, I have an extra hat.

This interview has been edited and condensed.


Performance clothing may seem like a departure for Loewe. After all, the Spanish house has specialized in leather goods for more than 175 years, and yet its latest collaboration – with the cult Swiss running brand At – was the brainchild of Loewe creative director Jonathan Anderson. “I felt there was a precision in what they do that connects to the Loewe Puzzle bag,” he says, referring to the iconic trapezoidal handbag. “This idea of ​​aerodynamics.” (It probably didn’t hurt that Anderson had been wearing On shoes, which have been loved for their patented cushioning system and lightweight feel, for years.) Launching next week, the collection consists of two sneaker styles, versions of On’s Cloudrock and Cloudventure trail-running shoes, made with recycled materials and available in five colorways each, as well as apparel, from temperature-regulating t-shirts to a customizable three-layer parka. As well as being adaptable and high-tech, of course, the pieces are also pleasing to the eye. Some of the shoes and a unisex moisture-wicking anorak all feature a celestial print of light blue constellations on a navy blue background that mimics sashiko — the traditional Japanese tailoring style characterized by geometric patterns — and may well inspire nighttime shopping. From $275, loewe.com.


look at this

It was in a Borders in Philadelphia in the mid-1990s that New York photographer Joseph Maida first came across a monograph filled with female nudes photographed by Lee Friedlander, a catalog of the artist’s exhibition in 1991 at the Museum of Modern Art. Friedlander had rendered art’s oldest subject somehow alien – seen up close, stretches of skin became strange landscapes interrupted by the mundane stagings of domestic spaces: lamps, coffee cups and bedspreads mismatched. Decades after he discovered them, “Friedlander’s nudes have continued to haunt, delight, challenge and disturb me,” Maida writes in the introduction to “A Third Look,” a new monograph of his own work. In style and title, a reference to Friedlander’s 2013 book “A Second Look”, it’s a hymn to his source of inspiration – Maida even used a 35mm camera with a wide-angle lens, like Friedlander did it. But Maida deployed this tool to examine the male form and play with perceptions of gender. In one image, a manicured hand grasps a hairy leg; in another, a penis disappears between the thighs. As artist and Maida alumnus Zackary Drucker writes in the foreword, the viewer can have “the weird experience of the double take, thinking, ‘Is that a woman? Obviously, they are not…or are they? Our urge to assign labels is as much about these complex images as the nudes themselves. $65, convene.nyc.


buy this

Above the Marrakchi workshop of the Marrakshi Life fashion line is a space that serves as both an archive of past collections and a place to store fabric scraps. “There are rows and shelves filled with the most wonderful colors, sorted by scheme,” muses the brand’s founder, New York photographer Randall Bachner. “It’s great if you ever need to step into a world of color and start dreaming.” But leftovers provide more than inspiration: a zero-waste principle has guided the brand, which is known for its hand-woven caftans and tunics that marry the look of the region’s ubiquitous djellaba (a long-sleeved dress and often striped) with that of crisp men’s shirts, since its inception in 2013. Now, Bachner has used the scraps to dip a toe into homewares with a capsule collection of one-of-a-kind quilts and blankets. Like her fashion pieces, they mimic the sunny hues of Marrakech’s medina – turmeric, terracotta and sand beige – and incorporate a mix of blues. On one side of each cover is a unique graphic composition, with eye-catching colliding chevrons and stripe triangles; on the other, the twill stripes were left unbroken in order, Bachner explains, to “show off their full glory”. From $1,200, marrakshilife.com.

With her first line of perfumes, released in 2019, famed editor and stylist Carine Roitfeld told the story of seven imaginary lovers and the towns in which they lived. For her new release, created in collaboration with master perfumer Dominique Ropion, she focused on another romantic personality: her own. “The perfume speaks to my fictional character, but also to different parts of myself: my teenage self, the career woman, me as a mother and the current version, which is wiser and more fulfilled”, explains Roitfeld. Carine, as the fragrance is called, is heady and opulent, with notes of woody vetiver and cashmere (a complex synthetic ingredient so named for its ability to impart something of the softness of cashmere) contrasting with those of crisp white florals and of patchouli, which Roitfeld loved since his youth. “Patchouli has this forbidden scent,” she says. “He’s kinda free-spirited, like me.” Formulating such a personal concoction with Ropion required vulnerability – Roitfeld compares it to walking around naked – but she hopes the wearers will take ownership of the end result and feel even more like the main characters in their own stories once they do. will have stamped. $260, carineroitfeld.com.


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