5 things to do this weekend

It seems that every year or two another flamboyant young improviser emerges from the Chicago jazz scene, enjoying astonishing maturity a...


It seems that every year or two another flamboyant young improviser emerges from the Chicago jazz scene, enjoying astonishing maturity and freedom within the larger tradition of acoustic jazz.

Tenor saxophonist Isaiah Collier is the latest. With the release last year of “Cosmic Transitions,” a heavyweight album with his quartet, the Chosen Few, he established himself as an apparent heir to both the Chicago lineage and the post-Saxophone tradition. Coltrane: It’s in his rough, pinched tone and penchant for minor-key incantation that he uses to spur the band on to action.

Collier, who last month released a catchy dark, 13 minute interpretation of “Lift Every Voice and Sing” (an excerpt from the “Cosmic Transitions” sessions), will perform on Saturday at 8 p.m. at Soapbox Gallery, an intimate concert space in Prospect Heights, Brooklyn, adorned with sculptures and photos. Collier will appear with a slightly modified version of the band from the album: Jordan Williams on piano, Jeremiah Hunt on bass and Michael Shekwoaga Ode on drums. In-person tickets are $25 and the show can be streamed live for whatever price you choose on soapboxgallery.org.
GIOVANNI RUSSONELLO

These days, trash seems to be a theme for comedian Moses StormBut in the right way.

Later this year, Storm, whose on-screen credits include roles in the films ‘Plan B’ and ‘The Lovebirds’, is set to co-star with Phoebe Robinson as her character’s housemate and best friend in ‘Everything’s Trash”, his next television series. for the free form.

And in January, his brilliantly choreographed comedy special “White Trash Can” debuted on HBO Max. From executive producer Conan O’Brien, for whom Storm opened for a Team Coco tour a few years ago, this one-hander features Storm surrounded by a glistening mound of trash poking fun at her childhood. difficult and offering this refrain: “Crazy beats scary.”

Will Storm talk about “Trash” when he’s in Carolines this weekend? Find out when he will take the stage Friday and Saturday at 7 p.m. and 9:45 p.m. Tickets start at $24.50.
SEAN L. McCARTHY

Art museums

Rodney Barnette is the best kind of troublemaker. His daughter, the artist Sadie Barnette, dedicated part of his practice to his history as an influential member of the Black Panthers. Now Sadie has created a set up inspired by the gay bar his father opened in 1990 – New Eagle Creek in San Francisco – to provide a safe haven for people who were otherwise subjected to scene racism. The work can be seen for free until March 6 at the Chelsea kitchen.

There isn’t much of a record of gay nightlife for people of color, so madison moore, a queer studies professor at Virginia Commonwealth University who does a kitchen night residency, hosted Saturday afternoon evenings in Sadie Barnette’s installation. The last one, with artist and producer Tygapaw as DJ, will take place on Saturday from noon to 6 p.m. Timed tickets are decreasing, from $5 to $15, and available at lacuisine.org.
MELISSA SMITH

film series

Independent filmmaker Nina Menkes defies obvious categorization. Written in the New York Times in 2012Dennis Lim, now programming director of the New York Film Festival, who played a restored version of Menkes “The Bloody Child” last fall, called the director “an outsider both on the independent film scene and in avant-garde circles.”

First presented in 1996, “The Bloody Child” is one of two of his feature films to receive daily screenings at the Brooklyn Academy of Music beginning Friday as part of a larger program of a week. Menkes Retrospective. The film, which cryptically revolves around abrupt Marines involved in a murder arrest, throws away conventional rules of timeline, image and sound; Menkes’ distanced compositions refuse to direct the gaze, and as mixed, the dialogues often seem to misdirect the ear.

“Magdalena Viraga,” which premiered in 1986 but is apparently getting its first full run in New York, also airs daily, and in the same non-linear fashion. Like “The Bloody Child,” it stars Menkes’ sister, Tinka Menkes, who delivers an emotionless, almost sleepwalking performance as a deadpan prostitute detained for murder.
Ben Kenigsberg

CHILDREN

Vivaldi never married – he was ordained a Roman Catholic priest – but you can’t say he didn’t like women. Longtime musical director of the Ospedale della Pietà, a Venetian home for foundlings, he trained many gifted girls for its acclaimed orchestra and choir.

Now the Small Orchestra Society pays homage to her as well as to Women’s History Month with “Vivaldi’s Virtuosos”, as part of the LOS Kids Concert Series from 3 to 10 years old. Sent in search of female talent, the composer and a protege, embodied by actors, obtain an impressive range: students from the Juilliard School’s Pre-College Division and his Music Advancement Programas well as the guitarist Gabriele Leite.

Tickets for these live shows, Saturday and Sunday at 11:30 a.m. and 1 p.m. at the Kaye Playhouse in Manhattan, start at $16. The program will feature excerpts from several works by Vivaldi, including the Lute Concerto in D major (with Leite) and, of course, “The Four Seasons”. And to give winter and young women their due, you’ll also hear from the teenage songwriter Yuri Lee“Windy day”.
LAUREL GRAEBER

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