The T-list: five things we recommend this week

Welcome to the T List, a newsletter from the editors of T Magazine. Each week, we share things we eat, wear, listen to, or covet now. r...


Welcome to the T List, a newsletter from the editors of T Magazine. Each week, we share things we eat, wear, listen to, or covet now. register here to find us in your mailbox every Wednesday. And you can always reach us at tlist@nytimes.com.


Step by step

My hair is very curly and I wish I could find someone in New York to take care of it, but I usually end up letting it grow out and then dealing with it when I go to Tel Aviv. I think I’ve bought 25 different products to try and get the best curl but haven’t found one I like yet. On my face in the morning I use Cetaphil’s Gentle Skin Cleansing Wipes then Pep Up Collagen Boost face and neck treatment by ColoreScience. And in the evening I also use that of this last brand Firming & Repairing Total Eye Cream; I tend to get dark circles under my eyes and this cream has changed my life. Most of the time I like to apply a little Tom Ford Amalfi Mandarin perfume in the back of my ears and wrists. I barely use makeup, but if I need concealer, I like MACs Preparation + Prime Essential Oils mixed with Shiseido Synchro Skin Radiance Lifting Foundation tapped under my eyes, and if I go out at night I’ll put on ColoreScience Lip Gloss SPF 35, which makes your lips beautiful and shiny. I also like the transparent gel for the eyebrows, the mascara and the Shiseido products. MicroLiner Ink Eyeliner. And then every week I have my nails done at home with clear varnish by Kayo Higuchi, whom I met when she was doing manicures on my brand’s film set. She is so caring and the treatment is so luxurious; she introduced me to the use of a combination of Kai Body Butter with Virgin Marula Oil of Drunk Elephant to hydrate my body. I always interview the makeup artists and hairstylists on set – it’s my favorite thing to do.


Kit Kemp, the founder and creative director of the Hotel in Firmdale group (which includes the Covent Garden Hotel in London and the Crosby Street Hotel in New York) and his eponymous interior design studio, teamed up with retail heavyweight Annie Selke on a colorful collaboration of national pieces based on their favorite destinations: New York, London and Barbados. The collection includes over 50 indoor and outdoor rugs handwoven by expert artisans in India and made from polyester fibers derived from recycled water bottles, as well as bedding in the signature cheerful rickrack from Kemp, reversible blankets with cheerful stripes and flowers and padded poufs to place at the end of your bed. “A piece should satisfy all the senses,” says Kemp. “We always say, ‘Think about the five Cs: color, comfort, craftsmanship, character and conservation.’ The Kit Kemp collection for Annie Selke will be launched on March 7 at annieselke.com.


look at this

Glass artist Dale Chihuly said his intention is to “always create unexpected experiences” and, with “Chihuly in the Desert,” an exhibition with installations in two iconic Sonoran Desert locations – the Desert Botanical Garden in Phoenix , Arizona, and Taliesin West, Frank Lloyd Wright’s home and school in Scottsdale – he did just that. The latter location is particularly notable because Chihuly, who grew up in Tacoma, Washington, and now lives in Seattle, has cited the work of Frank Lloyd Wright as an important influence on himself. Among Taliesin West’s six three-dimensional glass pieces are ‘Red Reeds & Niijima Floats’ (2021), which largely consists of dozens of slender fiery red pieces that rise from the surface of a pond onto the ground and from the adjacent patch of lawn, and “Alabaster and Amber Spire Towers” (2018), a grouping of spiky cactus-like shapes that seem to have arisen organically. At the Desert Botanical Garden, you’ll find lavender “reeds” interspersed with actual cacti, as well as freestanding sculptures of intricately coiled glass tubes that are considered the artist’s most difficult works to date, and his lesser-known works on paper, for which he uses acrylic, watercolor and charcoal. Tickets are available for day and night tours until June 19, chihulyinthedesert.org.


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New York jewelry designer Alexis Bittar, who made a name for himself with artistic costume jewelry in the 90s and early 2000s before selling his eponymous brand in 2015, made a comeback last September, when he bought his business. Since then, he’s shifted the company’s focus from wholesale to direct-to-consumer sales, opening six experiential stores in New York and San Francisco. designed by set designer Scott Pask. This month, Bittar will also introduce handbags for the first time. “Expanding into this world is something I’ve wanted to do for a while,” he says. “The complementarity between jewelry and bags seems so obvious to me.” The collection will feature seven styles that are all in leather and will include a clutch with an angular trapezoidal flap inspired by the futuristic style of the 80s and 90s and a roomy everyday tote bag. Each design will feature whimsical hardware that evokes Bittar’s beloved jewelry – a sculptural gold twist scroll, for example, or a surreal hand-shaped charm. The collection will launch on February 15 and will be available at Saks, Alexis Bittar and alexisbittar.com. Starting at $245.

When Mohcyn Bousfiha, an interior designer from Marrakech, and Mouad Mohsine, an engineer and entrepreneur from Casablanca, bought a small farm near the Moroccan seaside town of Essaouira about six years ago, the partners acquired a women’s cooperative producing argon and prickly pear oils like a neighbor. So they decided to launch a skin and hair care line based on these ingredients and traditional recipes, and named it Les Marocains in honor of women. “We want to put the skills of the people of this country first,” says Bousfiha. In 2017, he and Mohsine opened a beauty salon next to the Majorelle Garden in Marrakech which has evolved into a full-fledged concept store. And, in 2019, they took over an old hotel around the corner and turned it into a multipurpose space that includes a second store — one with a 22-foot-tall ceiling made of Smar, or reed — a cafe with a garden terrace, a yoga studio, a weaving studio, an embroidery studio and six overnight guest suites. In all spaces, they favored the work of local craftsmen, whether with the feminine dresses of the Marrakchi brand Tshamir offered in the shop or the Serghini ceramic tableware used in the cafĂ©. In the bathrooms of the suites you will find their own body products. Rooms from around $140, moromarrakech.com


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