5 things to do this weekend

Something wonderful is in the air. After so much worry about the dangerous pathogens floating around among us, it’s refreshing to be si...


Something wonderful is in the air.

After so much worry about the dangerous pathogens floating around among us, it’s refreshing to be sidetracked, however briefly, by what the New Victory Theater is unleashed in its atmosphere: feathers, balloons, umbrellas, flowing fabric, shiny particles and, above all, joy.

All have a role in “Aerial Game” a mix of circus, science, comedy and music to be enjoyed in person until March 6 or virtually until March 20. (Tickets are $20-$45; on-demand online viewing is $25.) Presented by Seth Bloom and Christina Gelsonthe married couple known as Acrobuffosthis delightful one-hour alarm clock — the show first raced here in 2018 — relies on the kinetic energy of its performers and Daniel Wurtzelthe aerial sculptures of to keep objects and spirits aloft.

What is an aerial sculpture? It results from the combination of carefully positioned electric fans with materials capable of flying. You’ll see strips of silk dancing, balloons swaying timidly, and orbs and sequins forming a swirling, starry universe.

Meanwhile Bloom and Gelsone, expert clowns, play with each other, their props and their spectators, who shouldn’t expect to remain completely grounded themselves.
LAUREL GRAEBER

At Betty White’s dead at 99 New Year’s Eve sparked not only national mourning, but also renewed nostalgia for “The Golden Girls,” the NBC sitcom White starred in that aired from 1985 to 1992.

This sentimentality could extend to “That Golden Girls Show!” as well as. The puppet parody, which originally aired Off Broadway in 2016, is back on the road for what’s billed as the “Final Farewell” tour. Starring Miranda Cooper as Sophia, Dylan Glick as Dorothy, Lu Zielinski as Blanche, and Samantha Lee Mason as Rose, the series reimagines classic sitcom moments in which Sophia plots, Blanche flirts , Rose brings up St. Olaf and Dorothy throws a lot of insults. .

Recommended for ages 13 and up, “That Golden Girls Show!” is the first production to reopen the Queens Theatre. Performances are at 3 p.m. and 7 p.m. on Sundays, and tickets start at $20. If you miss the tour this time, it’ll be back in town with a four-week run at Theater Row starting April 29.
SEAN L. McCARTHY

“It’s in my nature now to record – to try to keep everything that I go through,” says Jonas Mekas in voiceover in “Lost Lost Lost”. First presented in 1976, this diary film is a compilation of footage shot by Mekas from 1949 to 1963 capturing his life and friends in a changing New York, as well as his feelings of estrangement from his native Lithuania.

Writer, filmmaker, champion of the avant-garde and founder of Anthology Film Archives, Mekas died aged 96 in 2019; he would have been 100 this year. A retrospective of his major cinematic works begins Friday at The Film at Lincoln Center and includes “Lost Lost Lost” (Saturday and Wednesday). A related exhibition, “Jonas Mekas: the camera was still rolling” opens the same day at the Jewish Museum, which presents Mekas’ films in a 12-screen prismatic installation format, and where Mekas directed a series of films in the late 1960s.

On Sunday, Film at Lincoln Center will show nearly five hours of Mekas’ “As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty,” spanning from 1970 to 1999. In his narration at the start, Mekas says he assembled rolls of film “by chance, the way I found them on the shelf.”
Ben Kenigsberg

Art museums

Last summer, singer-songwriter and artist Moses Sumney performed a concert in the Blue Ridge Mountains. This resulted in a 14-track album, “Live from Blackalachia”, and a 70-minute movie that’s simply titled “Blackalachia,” a portmanteau of “Black” and “Appalachia.”

Sumney performed without an audience, unless you counted on the lush greenery that provided the backdrop for his concert. At one point in the film, while lying in a pot full of flowers, Sumney says, “I needed a space to express my own loneliness.” He finds a certain connection to the Appalachian region, reinventing a place that bears few traces of the history of the black people who once migrated there.

‘Blackalachia’, along with Sumney’s self-portraits, will be on display until March 5 at the Nicola Vassell Gallery in Chelsea. The film will be screened six times a day during gallery opening hours Tuesday through Sunday. Details can be found at nicolavassell.com.
MELISSA SMITH

Jazz

It’s been an extremely difficult two years for festival organizers, but with the decline in Covid-19 cases and the lifting of statewide restrictions, Hudson Jazz Festival organizers can count themselves among the lucky ones. .

Two hours upriver from New York, in an old opera house on Main Street in Hudson, NY, the festival culminates this weekend with nightly performances by some of straight jazz’s finest. Vibraphonist Warren Wolf will pay tribute on Friday evening to the historic duos of Chick Corea and Gary Burton; rising star singer Jazzmeia Horn leads a quartet on Saturday; and tenor saxophonist Jimmy Greene rounds it all off with a Sunday matinee.

For most weekend performances, tickets are always available for tables of two and four, and from $70. Can’t come in person? The program of each evening can be broadcast live for free, if you reserve a seat in advance, at hudsonhall.org.
GIOVANNI RUSSONELLO

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