'Emily in Paris' isn't this city's only cliché show

Offenbach celebrates and satirizes their lifestyle. Their entanglements with two Danish figures, Baron and Baroness Gondremarck, show as...

Offenbach celebrates and satirizes their lifestyle. Their entanglements with two Danish figures, Baron and Baroness Gondremarck, show aspects of the city’s growing international appeal. The baroness is looking for cultural sensations; the baron is more interested in getting to know the aforementioned demi-mondaines.

“La Vie Parisienne” is the first film by Lacroix, the creator, whom the poster describes as “born nostalgic”. Over the past four decades he has created costumes for a long list of operas, ballets and plays, often drawing inspiration from original sources. A passionate historian, he was interested in period fashion as well as some of the models from 1866 for the premiere of “La Vie Parisienne”, and the result is luxurious.

For lovers of Offenbach, there is an added thrill. With the help of researchers from the Palazzetto Bru Zane, a music center based in Venice, the production restores parts of the score that were cut because the original cast protested their difficulty. The five acts (rather than the usual four), conducted with joyful vigor by Romain Dumas, parade, and an ensemble of dancers and acrobats make a welcome contemporary addition to the proceedings.

Still, “La Vie Parisienne” and “Cole Porter in Paris” both feel like extensions of a similar script. Paris, we are told, is synonymous with sexual freedom. Porter’s homosexuality and his relationship with Russian poet Boris Kochno are strong traits of “Cole Porter in Paris,” while the newly revived fifth act of “La Vie Parisienne” is lyrical on its setting, a cafe known to provide. very discreet lounges for its clients.

It’s an appealing myth, which has left many French people reluctant to examine to whom and how this freedom actually applied. It was largely confined to a small affluent subset of the population. And if Paris is the city of hedonistic romance, why regulate office affairs or crack down on harassment today? “Trying to steal a kiss or talk about ‘intimate’ things at a working dinner” – isn’t that part of French culture, like Catherine Deneuve and others implicit in an open letter following the #MeToo movement?

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Newsrust - US Top News: 'Emily in Paris' isn't this city's only cliché show
'Emily in Paris' isn't this city's only cliché show
Newsrust - US Top News
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