Maggie Gyllenhaal Has Dangerous Ideas About Directing

I am not sure I will do it next time. I was a member of the jury at Cannes this year, probably two or three weeks after I finished my fi...


I am not sure I will do it next time. I was a member of the jury at Cannes this year, probably two or three weeks after I finished my final mix. Watching some really, really interesting movies, I realized, oh you can do whatever you want if you’re following something real and I don’t think I knew that.

What was the hardest part about adapting?

I found that the adaptation actually used a muscle similar to the one I used as an actress to take a text, whether it’s great or has issues, and to understand the essence. of that piece of material. There are things that are literal, but they are so weird. Like the phrase “I am an unnatural mother. It’s just 100 percent Ferrante, a straight lift, but a lot of people have told me, take that line off. I also really did what [Ferrante permitted] and changed a lot, a lot of things but I really believe the script and the movie are really in conversation with the book.

Leda is a writer, and showing her ambition in her early years is a big part of the film. Have you seen “Bergman’s Island” This year? Both films question whether you can fully be a woman and an artist at the same time.

I believe there is such a thing as female writing and cinema. There are some really interesting feminist women who disagree with me. I think when women speak honestly it looks different than when men speak honestly. It’s really dangerous to talk about it. When I get let go, when I get some money and space to tell the story I want to tell, it’s about motherhood. This is the house, and it includes a lot of scenes in the kitchen. Can stories about the servant really be considered high art? Because for me it’s an opera. I’m not from women whose apron strings were tied in the kitchen. My mother is a professional person [Naomi Foner Gyllenhaal is a screenwriter and director], my grandmother was a pediatrician in the 1940s and my great aunt was a lawyer. I am educated and have a professional life, yet my identification as a mother is an integral part of me.

What was it like working with Olivia Colman?

Olivia really didn’t like to talk about much. I wonder, in fact, if it’s because it’s relatively recently that she got the power as an actress, if she feels the same as me as an actress, that is. -to say that it is very rare that someone values ​​my ideas. They will say yes, but people are annoyed by actresses with a lot of ideas. I’m not an idiot, so I mostly keep them to myself. I remember asking Olivia if she liked to rehearse, and she said, I don’t, actually, and I totally identify with that.

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Newsrust - US Top News: Maggie Gyllenhaal Has Dangerous Ideas About Directing
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