Five horror movies to stream now

I must be on St. Nick’s naughty list because he didn’t make my Christmas wish for new ones come true. evil santa claus movies . I’m goi...


I must be on St. Nick’s naughty list because he didn’t make my Christmas wish for new ones come true. evil santa claus movies. I’m going to make the season spooky myself with choices from around the world that include a prudish mutant, a vengeful witch, a tortured musician, and a demonic dinner party.

Stream it on Epix Where Rent it or buy it on most major platforms.

“Everything is weird underwater”: this observation by one of the characters in this film sums up the latest strange drama by directors Alexandre Bustillo and Julien Maury, the duo behind “Inside,” a signature film of the New French End, and “Kandisha”, a supernatural thriller and one of my August picks.

Ben (James Jagger) and Tina (Camille Rowe) are a young couple visiting southwestern France, where they befriended a stranger who guides them through a rural area where he says a home. whole is submerged in a lake. Eager to create social media content, Ben and Tina don their scuba gear, load up on lights and underwater cameras, and take the plunge.

They find the perfectly preserved house but also, mysteriously, a locked gate. Once inside, they discover spooky dolls, a giant crucifix, and hooded, chained, and floating human figures. It turns out that the fish aren’t the only ones inside the house with them.

What would be a standard haunted house movie is made stylistically eliminatory by its underwater setting. Thanks to its director of photography, Jacques Ballard, slow motion and claustrophobic atmospheres work in a sinister harmony.

Rent it or buy it on Amazon.

Zane (Alex Stein) is having a terrible day. His satanic thrash band Withered Christ dumped him ahead of their debut gig for Grandma Incinerator. Across town at St. Mary’s Church, Father Kilborn (Andrew Jessop) hangs up after complaining about his ranting homilies. Confronted with a crisis of faith, he gets slammed and has a car crash that throws him into toxic waters, where he transforms into a bloodthirsty mutant.

After Father Kilborn indulges in a massacre during the annual Holy Saturday Metal Massacre, he and Zane meet for a goddamn theological battle with secular, bloody, and very stupid consequences.

Tim Connery’s low-budget horror comedy is an absurd and brazenly blasphemous gem for die-hard genre lovers. The film has a real underdog charm, thanks to the humor made by the metalheads, a better-than-expected acting and a death by cymbals that allowed me to vote for the murder of the year. Loved the animated flashback scene in Nicaragua (long story), illustrated by Liam Brazier, which looks like a death metal album cover coming to life.

Stream it on Shudder.

I am fan of slow burning horror that generates terror with a crawl, not a dive. In this shoegazer of a movie, Canadian director and cinematographer Ryan Glover slowed down a crawl until a creep that left me gently unsettled.

Catherine (Teagan Johnston), a young songwriter-musician, is at her aunt’s cottage in the dead of winter working alone on new material and having her photograph taken by Grace (Jenna Schaefer), a young photographer she eventually falls in love with. But wait, Catherine wonders: has the house always had a basement? And who’s the guy on the beach?

It’s only after 40 minutes that the scary stuff starts to emerge, and when it does, in spurts, it’s haunting. A scene in Catherine’s kitchen is perhaps the most terrifying two minutes of the whole year.

Taking its time to explore the issues of loneliness and isolation, Glover’s film recalls the dramas adjacent to Josephine Decker’s horror (“Butter on the latch”). The two directors understand that the tastiest scares sometimes take the slowest to cook.

Rent or buy on most major platforms.

This year, I really enjoyed discovering languages ​​that I had never heard in horror films, including Yiddish (“The Vigil”) and Afrikaans (“Gaia “). Add to that list this eerie Welsh fairy tale about a dinner party that derails the supernatural tracks.

Glenda (Nia Roberts) hosts a feast at her posh home in rural Wales for her rabbit hunter husband (Julian Lewis Jones), their self-centered sons (Steffan Cennydd and Sion Alun Davies) and friends. Glenda hires Cadi (Annes Elwy), a young smiling woman, to be her second hand for the night. But Cadi isn’t here to just set the table – his mission is more sinister, and has something to do with a mysterious force with roots in the nearby woods.

Director Lee Haven Jones does wonders with cinematographer Bjorn Stale Bratberg to portray terrors that oscillate between a chic domestic space, a dreamy green landscape and a nightmarish forest. The result is a popular horror film taken from the pages of Architectural Digest. The movie gets absurd at the end – still not sure who was from whom – but it looks great doing it.

Stream it on Amazon.

After henchmen beat him over unpaid debts, Hemant (Saurabh Goyal) fled with his pregnant wife Sakshi (Nushrratt Bharuccha) to their driver’s hometown, where sugar cane fields, superstitions and traditional beliefs about gender are all swept away.

Hemant eventually returns home, leaving Sakshi in the village with his driver’s wife (Mita Vashisht), who warns Sakshi to avoid the woman in the red sari and the three children who continue to ask Sakshi to play. Is Sakshi listening? No. Does this trigger grotesque visions and a lot of nocturnal wanderings in mazes? Yeah.

There’s a lot to admire in Vishal Furia’s supernatural soap opera, a Hindi remake of his Marathi horror film “Lapachhapi” (2017). A feminist message calling for women’s self-determination is welcome. I loved how the towering candy cane traps the characters in a menacing natural landscape. Congratulations on making the child actors look like “Dawn of the Dead” extras.

But the movie’s overly complicated storyline and reliance on standard supernatural stuff – spectral visions, hallucinatory nightmares, scares – didn’t completely keep me at ease.

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