A ballerina that adds to the "Palette of what is possible"

Identifying her with this mission made it difficult for Fentroy to consider leaving the troop, she said, even though she was beginning to...


Identifying her with this mission made it difficult for Fentroy to consider leaving the troop, she said, even though she was beginning to think that staying would not allow her to grow “fast enough for the hunger I had” . She wanted a bigger business, with more people to learn from. She wanted to dance in more works by European choreographers and complete classical ballets that the new Dance Theater could not afford to put on.

The Boston Ballet offered it all. “And I thought I could take these values ​​and take them with me,” she said. When she moved to Boston, she didn’t realize she would be the only black woman, or that it had been so long since the last one. “And being different can be difficult when you feel like you don’t have anyone to voice your concerns to or who will understand,” she said.

For example: hair. In George Balanchine’s “Chaconne”, the women wear their hair down, “and my hair was different from everyone else’s,” she said. “I didn’t know what was right or how to ask the question.” For a few shows, she chose to wear a wig. And then she decided to go out with her natural hair. “It was one of the most liberating moments of my life,” she said. “It was an acceptance of me on stage.”

Its rapid rise appeared to be slowed by halting the pandemic. “When I wasn’t dancing I felt like I was losing part of my identity,” she said. “I wanted to put that passionate energy into something that mattered.”

During the downtime, she had ankle surgery, but when she saw the protests after George Floyd’s murder, she felt she had to join them, even on crutches. In June, she wrote an article for Pointe magazine titled “My experience as a black ballerina in a world of implicit prejudice“, educating readers on what black dancers were going through and how they could help.

At a Boston Ballet town hall, she encouraged people to talk about race, and this outspokenness (for which she credits the Dance Theater) led her to join the committee on diversity, equity and l inclusion of the company. “I learned that the staff respect my concerns,” she said. “I felt empowered to have that voice and to help others. She started Color Our Future, a mentorship program.

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Newsrust - US Top News: A ballerina that adds to the "Palette of what is possible"
A ballerina that adds to the "Palette of what is possible"
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