5 things to do this weekend

Due to an increased spread of the coronavirus, events are subject to cancellation. Before you go, visit the performance space or organi...


Due to an increased spread of the coronavirus, events are subject to cancellation. Before you go, visit the performance space or organization website for the latest updates.

Art museums

New York Times co-art critic Holland Cotter wrote that the exhibition “Michelangelo: divine designer and designer”, which opened at the Metropolitan Museum of Art in November 2017, was “a monument to a monument”. And in many ways, this monument would not have been complete without its quarter-length reproductions of the frescoes that Michelangelo painted between 1508 and 1512 for the Sistine Chapel. Now, “The Sistine Chapel by Michelangelo: the exhibition” allows visitors to see large-scale, high-definition prints of 34 of these frescoes up close.

Whether you love or hate immersive art experiences like this, they seem to be here to stay and have their perks: While they don’t quite bring Vatican City to New York City, the reproductions that border the space of the “Sistine Chapel of Michelangelo” allow viewers to see details that would be difficult to distinguish in the originals without a pair of binoculars. The show, at 100 Sixth Avenue in Manhattan, is on view until January 9. Tickets start at $ 19.20 for adults and $ 13.50 for children, and are available at sistinechapelexhibit.com.
MELISSA SMITH

Although Charlie Brown, Charles M. SchulzThe adorably ignorant antihero, “perhaps the most ordinary boy in the world, he has added extraordinary fun to the holidays since 1965. That year brought the premiere of the television special “A Charlie Brown Christmas” which has grown into an annual show, a theatrical musical, and a perennially welcome reminder that we are always happier when charity triumphs over commercialism.

Now the ‘Peanuts’ gang is at the Palladium Times Square, or “A Charlie Brown Christmas: live on stage” play with tickets from $ 23.50. This production of Eric Schaeffer’s adaptation, Thursday at 12:30 p.m. and 7 p.m. and Friday at 11 a.m. and 3 p.m., features a trio The original jazz score by Vince Guaraldi, as well as newly arranged holiday tunes by Garrett Taylor. Directed by Robert Coulson, with cheerful and upbeat choreography by Charlotte Bydwell, the show ends with Christmas carols, so get ready to sing through your face masks.

Children can also see the animation “Charlie Brown Christmas” to Paley Center for Media in Manhattan. From Wednesday to Sunday (except Christmas Day and New Year’s Day) until January 6, the center has come back to life PaleyLand, a holiday celebration with multiple screenings not only of this TV classic, but also “Frosty the snowman,”A Rugrats Kwanzaa“and many more. (Details are online.)
LAUREL GRAEBER

If Omicron cancels the Metrograph series of crying director John M. Stahl, it will be something to cry about. Of course, the lineup includes Stahl’s most recognizable films, like “Imitation of Life” (1934) and “Magnificent Obsession” (1935) – both remade in the 1950s by Douglas Sirk, who emphasized the artifice of stories – and the black Technicolor “Leave Elle to Heaven” (1945).

But stars are rarely shown from 1930s titles like the stunning “Back Street” (Tuesday and December 30th), in which Irene Dunne’s character misses her chance to marry her true love (John Boles), then has a decades-long affair. with him in the “alleys” of his life. A little less heartbreaking, “When Tomorrow Comes” (Sunday, Monday, Wednesday and January 1) features Dunne as a waitress who falls in love with a concert pianist (Charles Boyer). “Seed” (Monday and December 30) is considered the rarest of There are. In addition to the theatrical screening, “Imitation of Life” will be available to stream Saturday through Tuesday and “Magnificent Obsession” from Tuesday through December 31 on the The Metrograph website.
BEN KENIGSBERG

The comedy

As of fall 2020, the creative arts mainstay Roulette has been streaming live music and adjacent music from its stage in downtown Brooklyn. The archives he has accumulated over the past 14 months – complete sets, completely free to stream – constitute a rare living record of currents crossing the forefront of New York performance. So if you’re playing it safe this holiday weekend, but could still use something to wash the Christmas music out of your ears, visit roulette.org/archive and click on “live broadcast”. Audio captures are solid, but the music can be heavy or hyper-precise – indulge yourself and don’t ask the computer speakers to handle it.

You could start with veteran jazz cornetist Graham Haynes. recent set, rich in luxurious silences, with pan-African percussionist Shakoor Hakeem and Czech multi-instrumentalist and electronic musician Lucie Vitkova. Or try it rented New production of “eL / Aficionado”, an opera by Robert Ashley driven by a sinister synthesizer and a sense of helplessness amid the dark forces of the Cold War. Where to arrive in the american premiere new work by Husband Kimura, a violinist who uses her technological inventions to unravel our physical relationship to music.
GIOVANNI RUSSONELLO



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