5 things to do this weekend

When the Drift design group was founded by Lonneke Gordijn and Ralph Nauta in 2007, the goal was to deploy technology as a way to get to...

When the Drift design group was founded by Lonneke Gordijn and Ralph Nauta in 2007, the goal was to deploy technology as a way to get to the root of what really makes our world vibrate: our relationship to nature. “Fragile future” The group’s solo exhibition on display at The Shed until December 19 features a series of immersive installations that deeply reexamine this interdependence using movement and light, as well as soundscapes created by Anohni.

Friday and Saturday, “Fragile Future” will add a dance component: companies such as Battery Dance will perform 20-minute routines, starting at 11:30 am and continuing hourly until 7:30 pm. The performances will take place in the exhibition grounds. kinetic installation “Ego”, a mass of thin illuminated threads which transform into various shapes intended to imitate human emotion. Tickets start at $ 25 and are available at theshed.org.


When Ikue Mori visited Lower Manhattan from Tokyo in 1977, she didn’t really play instruments, and she had no intention of staying. But she came across a tribe of brut art musicians who also had little formal training, and soon she was the drummer of DNA, a seminal without wave group. (It’s her hammer the skins behind Arto Lindsay in “Downtown 81”, the arthouse film that was born from this scene and stars a young Jean-Michel Basquiat.)

New York became her home, but she developed no similar attachment to drums. In the mid-1980s, she switched to using only a drum machine and sampler platform, with processors and effects allowing them to play pitches and tones as well as percussion. Today, Mori uses laptops to create dark-reflective spectral music, often in collaboration with one or two other improvisers.

This weekend she is in residence at the Pierre, playing alone Thursday night, with pianist Craig Taborn (his partner on a 2017 album, “High blacksmith”) Friday, and with Brian Marsella on keyboards and Sae Hashimoto on percussion (this trio’s album, “Archipelago X”, came out in the spring) on ​​Saturday. Each show starts at 8:30 p.m. admission is $ 20.

Film series

In “<—>“aka” Back and Forth, “just when you think experimental filmmaker Michael Snow must be a huge tennis fan, a change suggests he’s an even bigger basketball fan. avant-garde film, shot in 1968 at Fairleigh Dickinson University in New Jersey, consists mainly of a camera panning between two fixed points in a classroom, at different speeds and with various twists, often humorous, as the people and details in the play change. Archives of anthology films‘new must-have 35-millimeter restoration – the first archival-quality impression of’ <—> “, from Snow – premiered on Saturday and will be screened again on Sunday and Tuesday.

The restoration anchors a Snow retrospective at Anthology which continues into its second week. (Snow, by the way, turns 93 on Friday.) In addition to showing off rare works by the filmmaker, the theater added a screening of its canonical “Wavelength” (Sunday), in which a zoom in on a Canal Street loft baffles viewers with notions of time, space and perspective.

A few years ago, Alex edelman, a comedian and Orthodox Jew then living on the Upper East Side, responded to a tweet and ended up at an underground meeting of white nationalists in a Queens apartment. What happened next ?

In “Just for us,” Edelman, a native of Massachusetts and a former NYU alumnus, recounts his adventure, questioning his Judaism and whiteness along the way. Coincidentally, it also features a particularly memorable childhood Christmas story – and even gorilla and horse jokes. This solo was nominated in 2018 for an award at the Edinburgh Festival Fringe, where Edelman won the Best Newcomer Award in 2014.

The show, directed by Adam Brace and presented by the comedic storyteller Mike Birbiglia, which premiered Off Broadway last week at Cherry Lane Theater, where it will remain until January 8. Tickets from $ 37.


To describe John and Faith HubleyThe animation of jazzy is more than a metaphor. This pioneering married couple, who collaborated from the mid-1950s until John’s death in 1977, made short films that were not only impressionistic and improvised, but also filled with haunting tunes from musicians like Benny Carter and Quincy Jones.

Families will be able to see and hear the results on Saturday at 12:30 p.m. and December 17 at 3 p.m., when the Museum of the moving image in Queens presents A family affair: the animated short films of the Hubleys. The 70-minute program, which costs $ 9 to $ 15, features films based on the recorded play fantasies of the couple’s young children: “Windy Day,” a royal epic by their daughters, Emily and Georgia; and “Moon bird”, a crazy getaway invented by their sons, Mark and Ray. (Ray Hubley will present the Saturday screenings.)

The works, however, are extraordinarily sophisticated, with figures that sometimes seem to come out of a Picasso canvas. “Urbanissimo” addresses industrialization, while “The Hat”, featuring the talents of Dizzy Gillespie and Dudley Moore, offers a whimsical critique of militarism.

But this program is not all that is intriguing about Queens. Saturday at 11 a.m. and 2 p.m., Flushing Town Hall will present Tanglewood Puppets in “The Dragon King”, another colorful adventure. (Details are online.)

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Newsrust - US Top News: 5 things to do this weekend
5 things to do this weekend
Newsrust - US Top News
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