10 ways I fed my fans

Now is a great time to be a nerd – trust me, a longtime fangirl. Fandoms are one of the ways I mark a year in the spectrum of entertain...


Now is a great time to be a nerd – trust me, a longtime fangirl. Fandoms are one of the ways I mark a year in the spectrum of entertainment genres I consume every day. Here is my list of 10 favorite TV series, movies, and plays that have thrilled me as a comic book, pop culture, literature, and drama nerd.

Like a longtime fan of “Cowboy Bebop, “I awaited the live-action Netflix adaptation of the anime with cautious anticipation. Although the series, a sci-fi noir western about a motley crew of bounty hunters in space, looks fantastic when it comes to it. It’s good and damn terrible when it’s bad, the music, style and performances of the perfectly interpreted main stars pull the show through and make it essential for fans of “Bebop.” But more importantly, the series m ‘took it back to the original, helping me re-appreciate what makes “Cowboy Bebop” such a timeless classic. (Streaming on Netflix.)

I’m far from being a history buff, but I’d love to talk about Tudor England, especially when it sounds like high school drama. So “Six“, a glamorous Broadway musical about the wives of King Henry VIII, is in my back alley.” Six “was on my role in March 2020, and her absence when the pandemic shut down Broadway was one of my biggest. disappointments during those first weeks of lockdown. But now that he’s back, it looks like the perfect Broadway comeback show, with its flamboyant costumes, big lights, and even bigger musical numbers. (Read our review.)

Fun, adorable and playful, this animated film is also culturally relevant, as it follows a crazy family who are humanity’s last hope after robots take over the world. The film is beautifully multi-layered, mixing standard dialogue with internal voiceovers and monologues, and combining 3D animation with hand-drawn illustrations. And the references – to Apple products, YouTube, and Furbys, among other things – are enough to appeal to both millennials and Gen Z. (Streaming on Netflix.)

The first time I saw “In the Heights” was over ten years ago on Broadway; it was my introduction to the wonder that is Lin-Manuel Miranda. Jon M. Chu’s vibrant film adaptation was also my way back to that precious realm of overpriced candy and artificially buttered popcorn – the cinema. In the hands of Chu, the story of a bodega owner named Usnavi, who wishes to leave his beloved New York for his dream life in the Caribbean, is bursting with color and movement. And the cast – including Anthony Ramos, Daphne Rubin-Vega, Christopher Jackson, and Miranda himself – are full of delicacies for theater nerds. (Read our review.)

As a poet with two degrees in literature, I can’t resist a strange archaic poem about Celtic mythology – or a film adaptation of that poem, “Sir Gawain and the Green Knight”. “The green knight”, Eloquently directed by David Lowery, achieves the dazzling feat of translating the tone, style and even the rhythm of a written text into a visual medium. Actor Dev Patel gives a startling performance as Sir Gawain, a young knight who, in an attempt at greatness, becomes a player in a deadly match against the mysterious Green Knight. With eloquent cinematography, a ruminative score and a plot that soars towards the surrealist, “The Green Knight” resists conventional narration to train its viewers to receive the work as a poem: slowly, with plenty of room for it. symbolism, atmospheric changes and silences. (Read our review.)

Who are you going to call to revive a pop culture classic? The son of the original director, apparently. After the franchise’s tasteless reboot in 2016, “Ghostbusters: Afterlife” shows the difference it makes when a project is a family affair. Director Jason Reitman picks up where his father, Ivan Reitman, left off in the 1980s, and even reunited the old cast for this sequel, in which the late Egon Spengler’s family moved to Oklahoma to inherit his farm. . His grandchildren stumble upon his inheritance and destroy ghosts to prevent an apocalypse. I watched this movie in an impatient nerd room at New York Comic Con in October. While “Afterlife” does a lot of fan flattery and nostalgia bait, I’ve always found it absolutely endearing. There were tears. (Read our review.)

The Marvel Cinematic Universe has grown so much that intelligent storytelling and character development often takes a back seat to big battles and teams. This is what made this Disney + series, on Wanda and Vision living a domestic life it is actually an illusion, so fascinating. Nods to different sitcom eras and examination of Wanda’s grief after “Avengers: Endgame“make this show one of the most successful dives in the MCU Oh, and Kathryn Hahn as Agatha Harkness winking is absolute perfection. (Streaming on Disney +.)

Two black men wait on a street corner, hoping to leave but inexplicably trapped. When my friend and I got out of The breathtaking play by Antoinette Chinonye Nwandu – my first Broadway show since reopening – she said, “I’ll never forget that.” I felt the same. There were some issues (I found fault at the end), but not enough to reduce Nwandu’s performance wonder, directing and clever nods to Samuel’s “Waiting for Godot”. Beckett. (Read our review.)

The cancellation of this animated show was one of the big TV parodies of the year. The final season premiered this spring; I jumped on board late, but happily binged the 40 episodes of the surreal anthology series, about characters who are summoned on a fantasy train and have to travel from car to car, grappling with their trauma and to their pain through strange challenges, in order to return home. A corgi car, a chrome car, a map car, a cross-eyed duck car – the imaginative turns of the show were always surprising. But it was the depth of the story, which explored existential and moral questions and was unafraid to step into dark territory, that made the show unforgettable. (Streaming on HBO Max.)

The magic of this movie is so inviting that watching it I kept thinking about how much I wanted to enter this world. A Colombian family with special abilities lives in a house that has been the subject of a mysterious threat. The entertainment is breathtaking and the music, by Lin-Manuel Miranda, is catchy. The heart of the film, however, is a message about the importance of family. Like the prophetic uncle in the film, I have my own vision for the future: there will be many reruns. (Read our review.)

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