5 things to do this weekend

Like many artists, choreographer Dwight Rhoden felt an urgent need to respond creatively to the painful summer of 2020 following the mur...


Like many artists, choreographer Dwight Rhoden felt an urgent need to respond creatively to the painful summer of 2020 following the murder of George Floyd, but was deprived of his usual platform: a stage. So earlier this year he turned to the screen and produced a dance film that spoke about the beauty and burden of black Americans.

Now that live performances are back, the work has been redesigned for the stage and titled “Snatched Back From the Edges”. On Tuesday, he kicked off a two-week engagement (until November 28) at the Joyce Theater by Dyed Contemporary Ballet, the bright and sexy company that Rhoden and esteemed dancer Desmond Richardson founded in 1994.

“Snatched Back” is associated with Program A with “Love Rocks” (to music by Lenny Kravitz), which also appears on Program B where it is joined by a series of extracts from Complexions’ recent repertoire. Visit www.joyce.org for show times, program details and tickets.
BRIAN SCHAEFER

Magical realism and matriarchal mysteries rule “Luciérnagas” by playwright Javier Rivera DeBruin. The sensitive piece, which runs at 14th Street Y through November 30, centers around Mal (Alexandra Taylor), a young gay woman who inherits a small cabin from her grandmother only to find out she shares the dwell with a pixie-like being who has lessons to impart.

A celebration of Mexican, Afro-Latin and indigenous women, the play, directed by Carlos Armesto, explores the things we must let go of in order to become what we were meant to be. Oddly enough, “Luciérnagas” is also the perfect piece to see ahead of a potential family dysfunction during the holiday festivities next week, as it shows “ultimately how we can begin to unravel the legacy traumas through moments of reflection, catharsis, playfulness and joy, “in the words of Rivera DeBruin.

General admission tickets to the National Queer Theater production are $ 25; proof of vaccination is required. Tickets are available on nationalqueertheater.org.
JOSE SOLÍS

POP MUSIC

The American Music Awards are among the most democratic awards shows, selecting its nominees based on fan popularity and handing out trophies decided by public vote. This year’s artist lineup is also aimed at wide appeal, with a range of genres represented.

Pop chart-toppers, including Olivia rodrigo and BTS will take the stage, as will the reggaetonero Bad Bunny. A delegation from Nashville includes the country singer Mickey guyton – who quickly becomes an awards sweetheart after her gripping performance at this year’s Grammys, as well as Carrie Underwood and Jason Aldean. Other artists include the Italian glam-rock group Maneskin; Tyler the creator; and Diplo. And with the always funny Cardi B covering the hospitality duties, the ceremony can be as much of a comedy special as it is a musical event.

To watch, tune in to ABC on Sunday evenings at 8 pm; the full schedule will also air on Hulu the next day.
OLIVIA HORN

Classical music

Over the past decade, a new generation of singers took to the work of Robert Ashley (1930-2014). The experimental composer – inspired by the myths, pots and rhythms of American discourse, as well as elements of pop and jazz – has made operas like no one else. They often feature dreamy electronic orchestrations, as well as chatty vocal performances that are perfectly suited to the underlying harmonic designs.

Many operas combine to form an elaborate and interconnected narrative. But given the right performers, individual works can also charm and seduce. The last proof is the takeover in October of “eL / Aficionado” roulette in Brooklyn. Although it takes place in the world of espionage, its surreal narrative drift resists the fixity of beats and luscious resolutions.

Now indefinitely (and freely) available in streaming via the venue’s Vimeo page, the production brings mezzo-soprano Kayleigh Butcher into the suite of contemporary performers of Ashley. As a character known as Agent, his mission of steel and graceful melody debrief steals the show. With the new audio recording made by this same casting, Butcher’s main performance can serve as an ideal introduction to Ashley’s vast lyrical universe.
SETH COOLING WALLS

Most spectators are supposed to be seated. But at New York Living Arts in Manhattan this weekend, they will be encouraged to crawl, stand, swing, jog and even lie down.

It’s because Treehouse shakers, a dance-theater troupe, intends to seduce the youngest audience: children from 6 to 18 months. Designed and written by Mara McEwin and choreographed by Emilie bunning on a score by Anthony Rizzo, the “Beat: A Discovery Play for Babies’ introduces the seasons through music, movement, touch and visual surprises.

Gathered on soft rugs surrounding the dancers, the little spectators will first experience summer in the form of puppets, including illuminated fireflies and soft caterpillars. (Patti Gilstrap created the designs.) As the 40-minute production progresses, they can manipulate felt fall leaves and crochet snowflakes, crawl under a winter parachute, and observe what arrives at a glowing cocoon that signals spring.

With performances on Saturday and Sunday at 10 am and 11:30 am, “Beat”Also incorporates lullabies and nursery rhymes from Chippewa, Chinese and British cultures. Ticket prices, which are $ 35 for a caregiver-child pair ($ 18 for each additional adult and $ 15 for each additional child) also include cheaper options for low-income families interested in this whirlwind around the sun. .
LAUREL GRAEBER

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