5 things to do this weekend

Throughout a decades-long career that has brought her international fame, Angélique Kidjo has kept one foot planted in her native Benin,...


Throughout a decades-long career that has brought her international fame, Angélique Kidjo has kept one foot planted in her native Benin, creating cross-border music anchored in West African sounds and rhythms. Last year she had to celebrate his homeland’s 60th birthday (and hers) at Carnegie Hall with an African music program from the 1960s, a decade in which independence swept the continent.

These plans were thwarted by the pandemic and birthdays have passed. Meanwhile, Kidjo has released a new album that looks at Africa’s future rather than its past. “Mother Nature,” released in June, showcases a new generation of African talent, with contributions from Nigerian pop giants Burna Boy and Mr. Eazi, Zambian rapper Sampa the Great and more.

On Friday, Kidjo returns to Carnegie Hall to perform songs from “Mother Nature”, with the help of special guests including Josh Groban, Andra Day, Cyndi Lauper and Philip Glass. Tickets for the 8 p.m. concert start at $ 17 and are available at carnegiehall.org.
OLIVIA HORN

The tumultuous events of the past two years have stirred up many emotions among New York teenagers. Now some of them will share those feelings on a New York stage.

This opportunity comes from the New Victory Theater, which is opening its first season of live productions since the Covid-19 lockdown with “Generation on the rise”. Presented by Ping Chong and company, the show is part of Unwanted elements, a drama series based on interviews conducted in a specific location with residents who are often excluded from mainstream cultural discourse – in this case, black, Latino and Asian American youth.

From Friday through Sunday until November 14 (opening night is sold out), “Generation Rise” features the words of six contributors describing life during a pandemic and a racial reckoning. (Three of them also star, while the actors play the others.) Sara Zatz and Kirya Traber, the professionals who compiled the screenplay, are directing the 75-minute production.

Developed in collaboration with Urban word NYC and recommended for viewers aged 11 and over, “Generation Rise” is currently Diffusion on the New Victory website until November 28. For $ 25, live and virtual audiences can hear stories about maturity, acceptance, and in some cases, exit.
LAUREL GRAEBER

Classical music

Fans of orchestral music around the world have reason to rejoice now that visionary conductor Michael Tilson Thomas is back on the podium (after having to cancel certain dates receive treatment for a brain tumor). And the local audience can double their gratitude this weekend, as the maestro is expected to make his first appearance. with the New York Philharmonic in a decade.

The presence of Andante for strings by Ruth Crawford Seeger will ensure that these programs use Thomas’ penchant for compositions by American mavericks. But the concerts will also draw on his other enthusiasms: Beethoven’s Symphony No. 3 is a place where Thomas demonstrates elegance (but also daring); Berg’s Violin Concerto, which Thomas recently registered, shows his feeling for the lyricism of the work (as well as for his bite of the Second Viennese School). In this piece, he will be joined by Gil Shaham, the same soloist heard on the album. Performances are held at Alice Tully Hall Thursday at 7:30 p.m. and Friday and Sunday at 2:00 p.m. tickets start at $ 48 and are available at nyphil.org.
SETH COOLING WALLS

Theater

With the return of live theater, many artists wondered how they could change the system they were working in to make it more sustainable. Enter Kate Cortesi, Brenda Withers and Emily Zemba, the writers for the 2021 edition of The Pool, a pop-up theater company for which playwrights self-produce their shows.

Until November 20 (for dates and times, go to thepoolplays.org), the playwrights will present their works in repertoire at the New Ohio Theater. The wacky “Is Edward Snowden single?” By Cortesi features two actors playing 19 characters and an American Girl doll with Snowden. In Zemba’s dark comedy “Superstitions”, the state of America is examined through the metaphysical beliefs of its citizens. And in Withers’ “The Ding Dongs”, a strange home invasion gives way to a surreal exploration of displacement and real estate.

To expand public access to the theater, the company offers tickets on a sliding scale, from $ 5 to $ 50, or you can see all three plays for $ 75. The profits go to the artists.
JOSE SOLÍS

In the 1967 film “Guess Who’s Coming to Dinner”, the table is a political place where a liberal white couple (Spencer Tracy and Katharine Hepburn) struggle to kiss a black man (Sidney Poitier) who is engaged to their daughter.

In Stefanie Batten BlandIn the 2019 dance theater sequel, “Look Who’s Coming to Dinner,” which is part of Peak Performances at Montclair State University in New Jersey, a table again becomes a space where identity is confronted, and the amended title clearly suggests that there’s no need to guess – we know who’s coming, and the discomfort of the difference hasn’t gone away.

Batten Bland has danced with Bill T. Jones and Pina Bausch, and these influences are evident in her sense of character and drama, which she channels through evocative gestures and tableaux vivant in this hour-long work. Tickets for the shows, which will take place at 7:30 p.m. Thursday and Friday, 8 Saturday and 3 Sunday, are $ 40 and available at picperfs.org.
BRIAN SCHAEFER

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