5 things to do this weekend

Start spreading the news: there is a new Jenufa in town, inhabited by the young star soprano Asmik Grigorian . She has all the vocal gl...


Start spreading the news: there is a new Jenufa in town, inhabited by the young star soprano Asmik Grigorian. She has all the vocal glamor and acting skills to pull off the title role in composer Leos Janacek’s dark but touching opera.

But any newcomer to this part doesn’t mean that the sopranos who have already sung Jenufa have to retire, exactly. A veteran soprano can play Jenufa’s stepmother, Kostelnicka, instead. It’s just what happened to The Royal Opera House in London, earlier this month, when Karita Mattila continued late career trend to sing that role.

Previously, Mattila was an internationally renowned Jenufa. (His performance as Jenufa at the Met, in 2007, rightly lingers in many memories.) But she’s equally impressive in expressing the woman who thinks she’s doing her daughter-in-law a great service. In the free streaming presentation of the Royal Opera House production – available on the Operavision website (and his Youtube channel) until early November – it’s Mattila’s scenes with Grigorian that contain the biggest sparks.
SETH COOLING WALLS

From Frankenstein’s monster to “Star Wars” aliens, science fiction characters have had a profound influence on the fun of Halloween. Now the Staten Island Museum continues the trend with a celebration dedicated to children’s books of this genre, as well as fantasy tales.

Saturday from 2 p.m. to 4 p.m., the museum Sci-fi family halloween, which requires online registration, will feature the carving of a “showy stone” made of clay, the kind of amulet that gives visionary powers to Neil Gaiman’s main character. “Coraline.” It also offers opportunities to draw a magic map, like the besieged island heroine of “The girl of ink and stars”, by Kiran Millwood Hargrave, and to create a galaxy in a jar, a project inspired by “Guardians of the Galaxy” comics. In addition, little literary fans can make magic wands like the ones in “The worst witch” series, by Jill Murphy.

The program, which costs $ 15 for adults and $ 10 for ages 2 to 12 (admission to the museum is included), will also offer a treasure hunt through the exhibition. “Jennifer Angus: Magicicada.” Angus, an artist, designed decorative scenes and Victorian-style dioramas featuring hundreds of preserved insects. Enhanced with historical taxidermy specimens, the show promises bewitching pleasure.
LAUREL GRAEBER

Pop rock

During her many years of concerts, New York-based musician Cassandra Jenkins has meandered between stages, playing emo, bluegrass, and synth pop, among other genres. She sang back-up for rock stalwarts Hold Steady and was due to join beloved freelance songwriter David Berman on the road in 2019, until the tour was shattered by her sudden death.

This devastating event was part of the inspiration for Jenkins’ second album, “An Overview on Phenomenal Nature,” an experimental folk collection she released in February. Through her seven songs, Jenkins cries, wanders, and expresses the meaning of her interactions with strangers, her thoughts on roaring horns, vivid guitars, and field recordings.

On Friday Jenkins will bring these Songs on stage at the Bowery Ballroom, with the support of the experimental musician Claire Rousay, who shares Jenkins’ penchant for found sounds. Doors open at 7 p.m. tickets cost $ 20 and are available at mercureeastpresents.com.
OLIVIA HORN

Theater

As we continue to emerge from the isolation necessitated by the pandemic, reuniting with friends sometimes feels like introductions. This is the case of the two men of “Come and Go” by Richard Hollman a site specific room located in East Meadow of Central Park.

Drew (Chris Roberti) and Marty (Hollman) meet for a game of wrestling, 18 months after seeing each other for the last time. Soon they realize that although the world seemed frozen, a lot has changed, including their sense of self.

Members of the audience, seated from afar, are kept in touch with the conversation by a broadcast signal picked up by portable radios, which the theater company provides before the performance. Participants are requested to bring a pair of wired headphones for the radios.

The play runs until Sunday. Admission is $ 25 and ticket holders will receive an email 24 hours before the show with specific instructions and additional details.
JOSE SOLÍS

Since 2004, the annual Fall for Dance Festival at New York City Center has been one of the city’s best deals, offering inventive programming that brings together some of the country’s best dance troupes across all genres for just $ 15 a ticket. This year the festival also looks like a welcome gift to the public and an advertising campaign for the city’s many dance companies.

The last weekend of the festival illustrates this eclecticism: program 4 on Thursday and Friday at 8 p.m. features the Memphis jookin ‘phenomenon Lil Buck; a tender duet by Lar Lubovitch for the principal dancers of the New York City Ballet Adrian Danchig-Waring and Joseph Gordon; and that of Philadelphia BalletX. Program 5 on Saturday at 8 p.m. and Sunday at 3 p.m. includes a play by Alexei Ratmansky performed by the recently promoted City Ballet soloist Roman Mejia; a duet by Justin Peck with Tiler Peck and Herman Cornejo; and a Center-Ville commission for Ayodele Casel taps. Tickets, available on nycitycenter.org, are exhausted for the shows on Saturday and Sunday; the box office, which opens at noon on these days, will likely have a handful for sale.
BRIAN SCHAEFER

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