The T-List: Six Things We Recommend This Week

Welcome to the T List, a newsletter from the editors of T Magazine. Every week, we share things that we eat, wear, listen to, or covet ...


Welcome to the T List, a newsletter from the editors of T Magazine. Every week, we share things that we eat, wear, listen to, or covet now. register here to find us in your mailbox every Wednesday. And you can always reach us at tlist@nytimes.com.


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Located in the heart of the city, the new Cheval Blanc Paris has 72 rooms, with balconies or winter gardens overlooking either the Pont Neuf or the picturesque rooftops of the 1st arrondissement and beyond. The hotel, housed in a 1928 Art Deco building designed by Henri Sauvage and reinvented by architect and designer Peter Marino, looks like a grand but familiar house, with sculptural chandeliers by Philippe Anthonioz, etched metal tables by André Dubreuil and wooden sideboards by Charlotte Perriand. Guests are surrounded by works of art, including works by Claude Lalanne and Vik Muniz, while the property has no less than four restaurants: Limbar, a café-bar offering light pastries by Maxime Frédéric, and a program cocktails by Florian Thireau; Le Tout-Paris, a not-so-classic brasserie; more formal Plenitude, with starred chef Arnaud Donckele at the helm; and the fourth will be the first outpost of the Langosteria seafood restaurant outside of Italy. Between meals, guests can sit on the garden terrace or take a dip in the indoor swimming pool, which features a mosaic in aquatic colors from the legendary studio of Franz Mayer from Munich and, at 30 meters long, is the largest in town. chevalblanc.com.


For this month’s episode of T List’s beauty section, which details the products and skincare creatives swear by, Jessica richards talks about her daily routine.

For my morning shower, I use Necessaire’s Body scrub with the Supracor Stimulite bath glove – it’s a loofah and a dry brush in one – Christophe Robin’s Brightening + Clarifying Shampoo (they stop, so I don’t know what I’m going to do!) and Virtue’s Recovery conditioner. I have incredibly dry skin so when I dry it I leave it a little wet and rub a little Olverum Body oil then that of Augustinus Bader Body cream. I brush my hair with a Manta hair brush – Shen, my beauty store, launched it recently; it’s the best thing on the planet: the more you use it, the less your hair falls out – and comb it a little bit of Virtue Anti-frizz cream before putting it in a bun. I don’t wash my face in the morning, I just rinse it off with water. Then I apply that of Irene Forte Hyaluronic Tonic Helichrysum and the Skin Memory Serum from Ideo, which we just launched. In the fall I will start using Bynacht’s Signature Night Anti-Aging Cream (yes, even during the day). For makeup I use Eye Love You Mascara by Westman Atelier and a lipstick by Maarks Lip in Red unless i wear a mask then i will wear cherry lip balm. I always go back to Bobbi Brown Long-lasting gel eyeliner in black; it is easy to apply and does not bleed. I like the eyeliner under my lashes so it adds a bit of definition. We have a service at Shen called Multi-eyes: a tattoo under the lash line, an eyebrow wax, a dye and a few strokes of microblading. I do this every nine months. For the perfume, I am obsessed with Dirty grass of Heretic and Witch Woo of Yasmine Sewell’s brand new Vyrao, which will be available from Shen this month. At night my number one priority is to remove all the dirt and grime with a foaming cleanser like Youth to the People’s Superfood cleanser or Reflekt’s Daily Exfoliating Face Wash, then I apply a cleansing oil or balm. Irene Forte Almond Cleansing Milk is super soothing, but I also like the one from Joaquina Botanica Hydrating Essence. For the serums, I go super-heavy. I use Ideo at night too – if you use it twice a day you really see the results. After that I sleep on something like the Supernal Cosmic Radiance Oil or Pai Carbon star if i feel like i might have a little escape. I love Dr Barbara Sturm Eye cream – I have very sensitive eyes and there is no added perfume. Finally, I use MBRs Extraordinary Cream; I need as much hydration as possible. I lay and coat and lay down looking like a glazed donut.

This interview has been edited and condensed.


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When Domenico Dolce and Stefano Gabbana began to isolate themselves in Milan at the start of the Covid-19 epidemic last spring, the fashion designers found themselves focusing their attention on their immediate surroundings. “We kept coming back to the idea of ​​the house as the most important space,” said the couple, who spent the time imagining Dolce & Gabbana Casa, the brand’s first decoration range. It was in part inspired by the work of some of their favorite talents, including Paul Evans and Gio Ponti (“I collect the furniture I love; it’s my only vice,” says Dolce). The end result, however, which was unveiled last weekend ahead of the brand’s Alta Moda show in Venice, is entirely theirs and is deeply rooted in Italian craftsmanship. Four of the brand’s iconic designs appear throughout the line, such as a leopard print armchair and matching side table, a comfy sofa reminiscent of the blue and white Maiolica, and various desk accessories featuring a Sicilian horse print. traditional. cart pulled. dolcegabbana.com.


About two years ago, when 39-year-old designers and architects Eleni Petaloti and Leonidas Trampoukis of the Cerebral Design Studio Objects of common interest learned of 20th-century Japanese-American artist Isamu Noguchi’s connection to their native Greece – he once described it as his “intellectual home” – they were immediately inspired. The couple, who divided their time between New York and Athens, began researching the digital archives of the Noguchi Museum in Long Island City, Queens, to create an online feature and an upcoming series of books on Greek influences by Noguchi. Now that aesthetic fascination has come to life with “Tough, Soft and All Illuminated with Nowhere to Go,” a new exhibition curated by museum lead curator Noguchi Dakin Hart, which opens on September 15. By mixing OoCI’s playful objects (tubular lights and chairs, arched cobalt formations, massive transparent inflatable sculptures that sway in the wind) with Noguchi’s own pieces, the show creates deep connections – between eras. , places and creations; between the increasingly blurred fields of art, design and architecture – which above all speak of the power of constant cultural exchange. “Between Noguchi and ourselves, we both look at concepts like light, weight and volume,” says Petaloti, “but we respond in different ways.” noguchi.org.


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The 27-year-old architect Julien Sebban, founder of the French design collective Uchronia, had a post-apocalyptic vision by visiting the site of the future restaurant of the Museum of Modern Art in Paris, Forest, a few years ago. A vestige of the Universal Exhibition of 1937, the concrete space with high ceilings appears to him as an underground den of brutalists. Sebban and his team decided to embrace the atmosphere, creating a bunker-like agora with polished concrete surfaces that get rougher the further you venture inside. The overall effect, however, is one of warmth and coziness, with walls covered in a grove of mossy vines and branches and the soft glow of moon-like volcanic stone sconces. Although Forest may look like the end of the world, says Sebban, it is actually a “really nice place to live.” forest-paris.com.


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The inspirations behind Luca Nichetto’s creations for Ginori 1735’s first home fragrance collection, La Compagnia di Caterina, are as manifold as the scents. Although the theme is the court of Catherine de Medici, the infamous queen who is credited with introducing perfume to the French when she brought her perfumer with her to Paris from Florence, Nichetto was also influenced by the lucha libre masks, “Romeo + Juliet” by Baz Luhrmann. and the portraits of Grace Jones by Jean-Paul Goude. “A lot of my loves are in this project,” he says. The result is a boldly designed collection of scented candles, incense burners and room diffusers with fragrances of Jean Niel, the oldest perfume house in France. Each item is cast in the form of one of the eight archetypal courtiers, including the Lover and the Scholar, and almost all of them can be filled with the same or different scent, creating what society calls a ” life after death “. Starting at $ 90, ginori1735.com.


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