Review: sounds and styles collide in a playful way in "Only an Octave Apart"

Costanzo also dazzles in solos that highlight his rich yet delicate voice, which sparkles and plunges like finely painted blown glass. B...


Costanzo also dazzles in solos that highlight his rich yet delicate voice, which sparkles and plunges like finely painted blown glass. Before performing Lizst’s striking artistic song “Über allen Gipfeln Ist Ruh”, Costanzo explains that it is about despair, drawn from the poetry that Goethe would have carved in stone when he died alone.

If the show speaks instantly, it doesn’t seem on purpose. The organizing principle of non sequiturs (“We sang about the flowers and the water, and now the leaves?”) Is charming to a point, but ultimately comes at the expense of confidence and momentum. .

Bond, a seasoned performer, is comfortable riffing off the cuff and chopping up a crowd of insiders – but feels far enough away watching the nine-piece orchestra, with one hand shielding the glare. . Costanzo’s element is vocal narration; he is, however, less comfortable as a co-host, even if he is clearly up for it.

Their auto-mythological repartee (an avant-garde legend and an opera star walk into a bar…) keeps the audience away, while the songs yearn for connection. It’s a paradox clearly rendered in fabric by the first of Jonathan Anderson’s suits, long, velvet-soft dresses that jut out at harsh angles, like forward-facing bustles whose bell curves have been replaced. by blunt machetes.

Bond and Costanzo are extraordinary artists, even if it is only at the end of the night that they allow us to see them as vulnerable people too. “Only an Octave Apart” was supposed to be a live performance, then an album; the pandemic forced them to work backwards. They invested themselves in creating this strange and alluring record, they say, during the worst of the past year.

Now on stage, they seem electrified, their nerves sharp and sharp, dazed to be in fellowship again – in other words, more like the rest of us than they dare lead us to believe.

Only an octave apart
Until October 3 at St. Ann’s Warehouse, Brooklyn; 718-254-8779, stannswarehouse.org. Duration: 90 minutes.

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Newsrust - US Top News: Review: sounds and styles collide in a playful way in "Only an Octave Apart"
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