Shawn Mendes and Tainy's Summer Breeze, plus 12 more new songs

It’s amazing that more English-speaking pop songwriters haven’t clung to Tainy, the Puerto Rican producer behind the worldwide successes...


It’s amazing that more English-speaking pop songwriters haven’t clung to Tainy, the Puerto Rican producer behind the worldwide successes of Bad Bunny, Selena Gomez, J Balvin and many more. Tainy sets a reggaeton beat, bachata-tinged guitar syncopations and deep, sustained basslines behind Shawn Mendes as he sings short, breathy and calculated lines to a memorable season of sultry delight. The title is completely freed from the 1960s. JON PARELES

Of course, that’s a leftover, and it’s obvious why it was put aside. “Living in the Heart of Love” is a safe track that will be released on an expanded 40th anniversary reissue of “Tattoo You,” something to promote during the Stones tour this fall (with Steve Jordan replacing Charlie Watts at battery). The song is an obvious imitation of “Brown Sugar,” with Mick Jagger striking an unusually accommodating pose as he courted someone, “I’ll play dirty, I’ll play clean / But I’ll be damned if I’ll be mean,” argues (Really?) It’s second- or third-tier Stones, and he almost collapses halfway, but the way the party continues to charge is more than enough.

Parquet Courts are back with a vibrant ode to New York City – and chronicle of a busy spirit roaming its streets. “Treasure the crowds that once made me act so bored,” sings Andrew Savage on the lead single from the band’s upcoming album, “Sympathy for Life,” “Sometimes I wonder how long before I’m a face. a. As always, his observations are interspersed with the robotic banalities of modern existence (“pick a movie, a sandwich on a screen”), but the song’s winding groove, lingering beat, and chorus of screaming teem with life. LINDSAY ZOLADZ

Lily Konigsberg is a member of the freewheeling art-rock trio Palberta, but over the past few years, she’s also released a steady stream of eclectic yet infectious solo material on Bandcamp and SoundCloud. (A compilation of that work, titled “The Best of Lily Konigsberg Right Now,” arrived earlier this year.) Edges that spiky grooves of Palberta, but it still has plenty of personality to spare. “That’s how I like it, there’s nothing you can do about it,” Konigsberg intones with a sweet challenge, addressing someone who has disrespected their limits. When it comes to claims of individuality, this one is particularly eye-catching. ZOLADZ

Haley Fohr’s voice has spellbinding power. Like Circuit des Yeux, it composes captivating atmospheres that increase its strength. “Dogma”, the first offering from her sixth album, “-io” carries the listener with a steady and hypnotic rhythm, above which her changeable voice goes from a low drone to an enthusiastic croon with remarkable ease. “Tell me how to see the light,” she sings, as if longing for salvation, but at other points in the song she looks like a strangely commanding cult leader. ZOLADZ

Cimafunk puts a heavy dose of classic Afro-Cuban rhythm into his haunting dance music, but he’s also a long-time fan of American funk, and he recently sought out George Clinton, one of his idols since he was a child, for a hit. and a recording session. . The result is “Funk Aspirin,” a bilingual hymn to the healing powers of rhythm, taken at a cool, medium tempo and recorded at Clinton’s studio in Tallahassee, Fla., Where the clip was also shot. GIOVANNI RUSSONELLO

Thinking of Afghanistan this week? Here is a traditional Afghan melody in a modern form: distorted, multitrack and surrounded by effects, but still speaking of its home. PARÉLES

Born in Mexico and now based in New York City, Pieri sings-raps on a booming, booming synth bassline with ratcheting drum machines at his peak in “Quien Paga” (“Who Pays”). It’s a brash, aggressive kiss with electronic muscle as she multitracks her voice to announce, aptly, “They tell me I’m pretty, and I have a killer flow too.” PARÉLES

For the uninitiated: Welcome to the weird and wonderful world of Alice Longyu Gao, a glitchy hyperpop paradise full of killer hooks and eccentric humor. A Chinese-born DJ and producer who later moved to New York and then Los Angeles, Gao has recently worked with such brash soulmates as Alice Glass and Dylan Brady of 100 guys (who produced her wacky 2020 single) . “Rich bitch juice”). “Kanpai” – “cheers” in Chinese, Japanese and Korean – is a total sugar rush, mixing Rina Sawayama’s excess pop with Sophie’s electro-frenzy. “My name on your lips like alcoholic lipstick, everyone’s talking about me,” Gao intones, a semi-absurd but obvious statement from someone who is clearly already a world superstar in his mind. ZOLADZ

The silent electronic musician who records under the name Topdown Dialectic extracts “Vol. 3 “, an album slated for October, with” B1 “, a rhythmic track that surrounds a robotic samba beat with sporadic crossed beats and chords that spring from below, then fade away before leading anywhere. C ‘is both propulsive and evasive.

On her third album, “Have a Seat”, Nashville-based composer Maggie Rose seeks reconciliation and balance: between friends, between lovers, between ideologies. She has recorded, like Aretha Franklin and Otis Redding, at Fame Studios in Muscle Shoals, Alabama, with session musicians steeped in soul. The slow “For Your Consideration” berates a fellow judgmental – “That doesn’t mean it’s all my fault because you say so,” she observes – but also, in a swelling chorus, announces: “I wish I could borrow your eyes / Maybe that would open my mind.” It only calls for fairness, not domination. PARÉLES

The meter, most of the time, is a syncopated and eccentric 5/4, although it moves as it pleases; the attitude is laconic and pragmatic, but fraternal. Irish-born singer-songwriter Orla Gartland, 26, has been online for more than a decade, providing advice in “Things That I’ve Learned” on her booming debut album, “Woman on the Internet ”. She cautions against consumerism, comparisons and artificial peer pressure; she gradually piles up the electric guitar riffs, then breaks them down into a little percussion and a solitary and fearless voice. PARÉLES

From the night of his 32nd birthday, shortly before his flamboyant career reached a abrupt end, trumpeter Lee Morgan performed a three-day engagement at the Lighthouse Cafe in Hermosa Beach, California. A live album from these performances became the last LP released in Morgan’s life; his four long pieces are part of the jazz canon. But there was a lot more where these came from, and on Friday Blue Note Records released a massive box containing the full recordings: a dozen separate live sets, played over three nights. It is dizzying to hear the few flags of the quintet, knowing that he played four sets per night; the unrepentant tension and synchronized control that made “Live at the Lighthouse” a classic are essentially maintained throughout the set. An almost 20-minute version of “Absolutions”, a dangerously unstable and unstable tune written by the band’s bassist, Jymie Merritt, opened the original album. This recently released take, of Set 2 from Night 1, lasts even longer. While Morgan, tenor saxophonist Bennie Maupin and pianist Harold Mabern each take on long solos, Mickey Roker’s cross-stitch drums keep the friction high. RUSSONELLO

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Newsrust - US Top News: Shawn Mendes and Tainy's Summer Breeze, plus 12 more new songs
Shawn Mendes and Tainy's Summer Breeze, plus 12 more new songs
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