Lorde Provocatively Withdraws From 'Solar Power'

Lorde, however, is not the only one with this feeling. It’s somewhat remarkable how many pop albums from the past year have taken the so...


Lorde, however, is not the only one with this feeling. It’s somewhat remarkable how many pop albums from the past year have taken the sometimes debilitating stress associated with modern celebrity as their main theme: Billie Eilish’s “Happier than ever,” Clairo’s “Sling,” and that of Lana Del Rey “Chemtrails on the country club” all of them chronicle the burnout of their creators and, to varying degrees, plan to wrap it up and quit the pop game forever. (A similar conversation took place with young woman in the sports world, too.) It may not be a coincidence that three of those four albums, including “Solar Power,” were primarily produced by the music industry’s seemingly busiest producer, pop-girl Zelig Jack Antonoff.

What keeps a lot of “Solar Power” from really taking root is that most of these songs are written from the perspective of an enviable, serene person, comfortably seated on the other side of this struggle. “Dancing with my girls, having only two drinks, then leaving / It’s a funny thing, I thought you would never gain control of yourself,” Lorde sings happily on one of the most sickening numbers of the album, “Secrets From a Girl (Who’s Seen It All).” Sometimes “Stoned” and the otherwise incisive “The Man With the Ax” describe personal growth and maturity as a universal gateway that one definitely crosses once and for all around the age of 21, rather than a process. messy, continuous and permanent stops and false starts. “I thought I was a genius,” she reflects on “Ax,” “but now I’m 22.” At least wait for Saturn to return, Lorde!

Make no mistake, amber is the color of his energy, at least right now. The moodboard of his career peak, “Melodrama”, contained a whole kaleidoscope of colors, and it is the sense of contrast and the sonic dynamism of this wonderful album that is most lacking here. Each song in “Solar Power” draws on a similar and finely organized aesthetic – the “CW” pop theme song from the early 2000s; sun-drenched 70s folk; just a pinch of Kabbalah-era Madonna – and rarely draws outside of those lines, let alone picks up pencils of different colors. Proper nouns suppressed too often give the impression of being a bunch of signifiers one step away from being shaped into more precise observations. Even the songs that most directly skewer modern wellness culture (the spiritual satire “Mood Ring”, the devilishly emasculating “Dominoes”) would not be much offensive to the ears if played during the savasana of a class. yoga.

Perhaps the most moving moments on the album come towards the very end, at the end of the closer, loose and twisty six minutes, “Oceanic feeling”. It’s partly a showcase of the startling, almost photographic clarity Lorde can sometimes achieve with her lyrics (“I see your silver chain levitating when you kickflip”) and a kind of guided visualization of a possible life afterwards. pop celebrity. The young girl who, just eight years ago, even playfully asked to be your leader now sings with moving serenity: “I will know when it is time to take off my dresses and enter the room. choral. “

Even though there has been talk of considering such noble elements as water, sun and air, Lorde’s music on the proximity mic has retained such a careful intimacy that sometimes you can still actually to listen his smile. But like a beaming Instagram photo selectively chosen from a vast array of shots, “Solar Power” stops short of offering a full and varied range of expressions.

Lorde
“Solar energy”
(Republic)

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Newsrust - US Top News: Lorde Provocatively Withdraws From 'Solar Power'
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