5 things to do this weekend

Children may not immediately understand the title “ Dynamic H2O ”, But they don’t need to have studied chemistry to warm up to the cool ...


Children may not immediately understand the title “Dynamic H2O”, But they don’t need to have studied chemistry to warm up to the cool topic of this exhibit.

A seasonal installation in Manhattan Children’s Museum, this show learn all about the water: its essential role in human life and, more precisely, how it passes from the Catskill mountains to the houses of New York City. Visible until mid-October in the Sussman Environmental Center, a multi-level outdoor space, “Dynamic H2O” is open whenever the museum is, as long as the subject of the exhibit does not fall from the sky. (Families must purchase timed tickets in advance.)

The installation includes interactive exhibits, as well as diagrams, illustrations and graphics. But the real star is the substance itself: a new 22-foot-long water table provides a continually cleansed and flowing supply. After donning the gowns provided by the museum, kids can use small tools and building materials to redirect this stream, block it, or send it down falls, through pipes, and around man-made land masses. A second water table offers pretend sailing and fishing – no submersion, but lots of splashing fun.
LAUREL GRAEBER

The interdisciplinary arts space Knockdown Center, which occupies a former factory in the Maspeth section of Queens, opened its seasonal music festival, Outline, in February 2020. But it was an unfortunate start: the next five editions were canceled due to of the pandemic.

This weekend, Outline returns to the centre’s backyard with an eclectic lineup that ranges from old-timers to newcomers. Saturday’s headliner is ESG, the Bronx dance-punk group whose track “UFO,” starting in 1981, permeates decades of musical history, having been sampled by many artists including NWA and Nine Inch Nails. They are joined by Magdalena Bay, a bubbly, maximalist Los Angeles duo. synth-pop (and some deliciously weird TikToks); the rapper and experimental producer Siifu pink, including the recent album “Gumbo ‘!” reflects his southern rap influences; and others.

Sunday’s poster features club-pop singer Jessy Lanza and house producer Galcher Lustwerk. The performances take place every day from 3 p.m. to 10 p.m. day tickets are available for $ 30 in advance, or $ 35 on the day of, at knockdown.center.
OLIVIA HORN

To dance

The annual Bryant Park Picnic Performances series featured outdoor dance performances before it was considered a safety measure. This summer, the series was similar to previous years in that it’s still free and first come first, with food vendors and a relaxed vibe. The difference: the ability to stay home and watch the livestream on the Bryant Park site.

On Friday at 7:00 p.m., this year’s dance offerings end with the sleek and contemporary entertainment of Ballet Hispánico. The repertoire is brilliant and elegant: “Línea Recta”, the chic deconstruction of flamenco fashion and traditions by Annabelle Lopez Ochoa, and “18 + 1”, an escapade by Gustavo Ramírez Sansano on the mambos of Perez Prado. Sharing the poster is Jamel Gaines Creative Outlet, whose selections include “Waiting,” which uses John Mayer’s tracks to move from angst and struggle to playful celebration.
BRIAN SEIBERT

Classical music

The discography of singer, pianist and composer Judith Berkson gives an overview of her palette. His 2010 album, “Oylam”, on ECM Records, featured Yiddish folk songs and samples from Schubert’s “Winterreise”, as well as original tracks. Since then she has also contributed singing to some burning and complex albums by drummer Dan Weiss.

Berkson’s latest album – “Liederkreis II”, released by Footprint Notice in May – gives another look at her adaptive intelligence, as she leans more aggressively at electronic instrumentation (and manipulation).

Schubert’s influence is once again being felt. Although this time, with “Der Doppelgänger”, Berkson grafts a few moody synths to his beaming and trance vocal performance. The result strikes as if it were an interpretation of the canonical track reconfigured for a club in a David Lynch film. The rest of the album balances this sung quality with more pointed and punchy experiences (like on tracks like “NeuDeux” and “Bundt”).
SETH COOLING WALLS

Theater

The dozen pieces in Richard Nelson’s Rhinbeck Panorama have always been about Americans reacting with inner voices to any resentful cultural moment they find themselves in. With their slow-paced naturalism and domestic intimacy, these spare dramas are populated by families – the Apples, the Gabriels, the Michael – which have intertwined, in one way or another, for years.

“What Happened ?: The Michaels Abroad,” which premieres Saturday at College of Hunters‘s Frederick Loewe Theater, is the final installment in the series, says Nelson. It is also a return to the gathering in person, but not to the Public Theater, where most of the cycle was staged for the first time – after Nelson, who is his own director, took it online with three Zoom games.

In “What Happened?”, Rose Michael, a choreographer, has died, a loss that reverberates among those who love her, including his wife (Maryann Plunkett), her ex-husband (Jay O. Sanders) and her elders. dancers. So expect interludes of Terpsichorian grace.
LAURA COLLINS-HUGHES

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