5 Things to Do This Weekend

The artist Caledonia Curry (professionally known as Swoon) is bringing a house to Union Square. Previously installed at Brooklyn Bridg...

The artist Caledonia Curry (professionally known as Swoon) is bringing a house to Union Square.

Previously installed at Brooklyn Bridge Park and Flushing Meadows-Corona Park in Queens, the mobile sculpture, “The House Our Families Built,” will be at the Manhattan square’s north plaza on Sunday from 10 a.m. to 8 p.m. (it then moves to Prospect Park in Brooklyn on Feb. 27). This installation was commissioned by PBS as part of its storytelling project, American Portrait, which the network established with RadicalMedia to archive narratives about how we construct our identities as Americans.

Swoon’s “House” is actually the back of a truck that Swoon and her collaborator Jeff Stark repurposed into a life-size diorama. With its intricately carved roof, the structure is filled with quotidian items and inhabited by painted cutouts, like one of a mother holding a baby. From 10:30 a.m. to 2:45 p.m., actors will put on six 15-minute performances inspired by the stories depicted in the house, which seek to encourage people to investigate their legacies.


Although arts offerings for families have certainly changed during the pandemic, few have become more expansive or more intriguing. The BAMkids Film Festival 2021, however, is both.

Presented by the Brooklyn Academy of Music, the event this year will run nine days — from Saturday through Feb. 28 — instead of one weekend. It is also introducing a free Young Filmmakers Showcase, with works by cineastes ages 5 to 13. And because the entire international celebration is virtual, all the titles, which will stream on the platform Eventive, will be accessible globally and on demand.

The festival’s six main programs of short films range from Animal Party, a compilation for preschoolers, to Stronger Together, a slate for audiences 9 and older. Tickets, available on the academy’s website, are pay-what-you-can, with minimums of $5 for individual programs and $30 for an all-access pass.

But the fun goes beyond filmgoing. Free livestreamed workshops (the schedule is online) explore subjects like dance, animation, yoga and the troupe Pilobolus’s boundary-busting movement.


The drummer, composer and poet William Hooker gained renown on New York’s experimental scene of the 1970s and ’80s, where postmodernism flowed through the gutters and the idea was usually to muck things up. But he emerged as a performer of utter focus, with a keen enough vision to match the power of his drumming. Whether contemplating lessons from history or more ephemeral themes, his works look at you straight on, making themselves clear.

Last March, the debut of his “TOUCH: Soul and Service,” mixing music, film and other media, was the first show at Roulette to be canceled because of the pandemic. He returns there on Saturday at 8 p.m. Eastern time for a livestream of “Chimes,” a new piece that combines music, film and dance. He will be accompanied by the guitarist and electronic musician Hans Tammen and the synthesizer player Theodore Woodward, who will also control the visuals. They will share the stage with the dancer Michael Battle. The performance is free to watch on Roulette’s website, YouTube and Vimeo channels, and Facebook page; donations are suggested.


Around this time last year, Ronald K. Brown celebrated the 35th anniversary of his beloved dance company, Evidence, with a week of performances at the Joyce Theater. The program included “Grace,” a life-affirming work created 20 years earlier for the Ailey company, and “Mercy,” a stirring companion piece made with the musician Meshell Ndegeocello in 2019. About a month later he was at home, on Zoom, the first guest of JoyceStream, the theater’s quick pivot to online programming.

On Thursday, Evidence returns to the Joyce stage to continue the anniversary celebration with a livestream at 8 p.m. Eastern time. “Mercy” and an excerpt from “Grace” are again on the program. They are joined by other works, including a duet danced to a speech by the Rev. Dr. Martin Luther King Jr. and the 2016 solo “She Is Here,” honoring the perseverance of mothers and teachers, which surely has resonance now. Tickets to the stream are $25 at joyce.org, and the performance will remain on demand through March 4.

Pop & Rock

In the often-told tale of print media’s demise, independent publications suffered some of the most heartbreaking casualties. But Punk Planet, a music-forward publication that circulated from 1994 until 2007, now has an afterlife: Its full 80-issue run is available to browse free online.

The writer Dan Sinker founded Punk Planet when he was teenager to provide an alternative to Maximum Rocknroll, a long-running monthly with a narrower approach to punk. Alongside interviews with artists like Sleater-Kinney, Steve Albini and the Kills, Punk Planet readers could find reporting on contemporary social and political issues; dispatches from regional music scenes, from Canada to Indonesia; and a robust array of criticism. (Out of loyalty to the little guy, Sinker’s magazine attempted to review all the albums that crossed its desk, so long as they weren’t affiliated with a major label.)

Back issues of Punk Planet can be perused, downloaded and even (for the purists) printed through the Internet Archive at archive.org/details/punkplanet.

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Newsrust: 5 Things to Do This Weekend
5 Things to Do This Weekend
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